Degas was a celebrity in Britain in his lifetime, thanks originally to George Moore's pioneering essay, The Painter of Modern Life. When Degas died Moore reprised the essay with some further recollections, in part as a riposte to the memoir published by Degas's great admirer and follower, Walter Sickert. Sickert's essay, sparkling, engaged, witty and occasionally combative, is amongst the best of his writings. Together these memoirs represent some of the most vivid responses to Impressionism in English - as well as painting an intimate picture of arguably the most important and most influential - and the most humane - of the painters of the later 19th century. Hitherto difficult to find, these essays are reprinted here with an introduction by Anna Gruetzner Robins and are illustrated with 30 pages of colour plates covering the span of Degas's dazzling career.

Irish Drama Selections 8. Plays of George Moore & Edward Martyn.

Here is the only available paperback edition of George Moore's powerful novel, Esther Waters. Controversial and influential on its first appearance in 1894, the book opened up a new direction for the English realist tradition. Unflinching in its depiction of the dark and sordid side of Victorian culture, it remains one of the great novels of London life and labor in the 1890s. The novel depicts with extraordinary candor Esther's struggles against prejudice and injustice, and the growth of her character as she determines to protect her son. Her moving story is set against the backdrop of a world of horse racing, betting, and public houses, whose vivid depiction led James Joyce to call Esther Waters "the best novel of modern English life."
The new introduction by Stephen Regan examines the novel's vivid depiction of Victorian sub-culture, horse-racing and gambling, the London tavern, and the life of working-class women, and he also explores the stylistic influences of French naturalism and Impressionist painting. The new edition includes considerably expanded explanatory notes that provide helpful glosses on unfamiliar expressions and define a range of horse racing and betting terms. In addition, there is an improved chronology and a new bibliography.
About the Series For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

George Moore involved W. B. Yeats personally in the revision of a novel of Moore's that contained a character based on Yeats; this involvement led to the pair's collaboration in writing a play based on Diarmuid and Grania, one of the best-known tragic tales of Celtic mythology. At the late stages of composition, the authors decided to add songs, and Edward Elgar provided the music. The play opened at the Gaiety Theatre in Dublin on October 21, 1901.

Although the collaboration had been difficult Yeats and Moore disagreed frequently, mainly about style the production was well received. Controversy arose, however, because English actors played these most Irish of characters. After the play was produced, Yeats, whose commitment had occasionally seemed to waver, defended it against all criticism. The manuscript materials included in the Cornell Yeats edition of Diarmuid and Grania provide a full record of the disputes and revisions that culminated in the final draft. In his Introduction, J. C. C. Mays writes, "If one looks beyond words or passages that can be tagged with an author's name and a specific date, one can see signatures of each author no less clearly than such tags afford and perhaps see each writer more pervasively inhabiting the characters and situations of the play.""

Esther Waters (1894) is a novel by George Moore. Considered his best novel, it was an immediate critical and commercial success, and has since been adapted several times for theater, film, and television. Like much of Moore's work, Esther Waters shows the influence of French naturalist writer Emile Zola, who sought to portray the influence of heredity and social environment on the lives of characters without shying away from poverty, sex, disease, and suffering. Following her father's death and her mother's marriage to an abusive Londoner, Esther Waters arrives at the home of the Barfield family in Shoreham to work as a kitchen maid. There, she tries to work hard to support herself, but is soon seduced by a footman named William Latch. When he elopes with his employer's niece, Esther is left to hide her pregnancy for as long as possible. Discovered, she is dismissed, and soon thereafter gives birth to a healthy boy. Unmarried and poor, she makes the decision to raise Jackie as a single mother while seeking employment in London. Tragic and truthful, Esther Waters is the story of a woman who defies Victorian convention and suffers for nothing more than being born into poverty. With a beautifully designed cover and professionally typeset manuscript, this edition of George Moore's Esther Waters is a classic of Irish literature reimagined for modern readers.

A Modern Lover (1883) is a novel by George Moore. His debut novel marked a turning point in Moore's early career, characterized to that point by poorly written French poetry and a failed attempt at becoming a painter. Although less acclaimed than such novels as Esther Waters (1894), A Modern Lover is credited with being the first English novel to employ the experimental methods of Moore's French contemporaries. Like much of Moore's work, A Modern Lover shows the influence of French naturalist writer Emile Zola, who sought to portray the influence of heredity and social environment on the lives of his characters without shying away from poverty, sex, disease, and suffering. Lewis Seymour is a young artist who moves to London in search of fame and achievement. Although he shows promise, he quickly falls into a pattern of social climbing rather than focusing on honing his craft. As he uses one wealthy, well-connected woman after the next in a tireless journey upward, he begins to lose sight of his artistic dreams. Eventually, he settles on three women whose affection and support allow him to make a name for himself-Gwinnie, a shopgirl; Mrs. Bethan, a middle-class divorcee; and Lady Helen, a powerful aristocrat. A Modern Lover is a story of sexuality and ambition from a pioneering figure in the formation of the modern English novel. With a beautifully designed cover and professionally typeset manuscript, this edition of George Moore's A Modern Lover is a classic of Irish literature reimagined for modern readers.

Confessions of a Young Man (1888) is a memoir by George Moore. Originally written in French, it is a record of his life in Paris as a young man with money and dreams to spare. Controversial for its depictions of bohemianism and pointed critique of Victorian morality, Confessions of a Young Man has been recognized as an invaluable portrait of nineteenth century Paris and the geniuses who struggled to reshape art in their image. Degas. Renoir. Monet. Zola. Their names are now immortal, instant reminders of their influence on the visual and literary arts. In the 1870s, however, and throughout their lifetimes, they were artists struggling to hone their craft and gain recognition for their work. Into their world came the young George Moore, an Irishman who thought he was a painter and would eventually make his own name as a pioneering modernist writer. In Confessions of a Young Man, he offers his experience and impressions of bohemian life in Paris, a place where the temptations of flesh, drugs, and alcohol led many a young artist astray. In this murky world, he will draw inspiration for his groundbreaking stories and novels in the realist style. With a beautifully designed cover and professionally typeset manuscript, this edition of George Moore's Confessions of a Young Man is a classic of Irish literature reimagined for modern readers.

Esther Waters (1894) is a novel by George Moore. Considered his best novel, it was an immediate critical and commercial success, and has since been adapted several times for theater, film, and television. Like much of Moore's work, Esther Waters shows the influence of French naturalist writer Emile Zola, who sought to portray the influence of heredity and social environment on the lives of characters without shying away from poverty, sex, disease, and suffering. Following her father's death and her mother's marriage to an abusive Londoner, Esther Waters arrives at the home of the Barfield family in Shoreham to work as a kitchen maid. There, she tries to work hard to support herself, but is soon seduced by a footman named William Latch. When he elopes with his employer's niece, Esther is left to hide her pregnancy for as long as possible. Discovered, she is dismissed, and soon thereafter gives birth to a healthy boy. Unmarried and poor, she makes the decision to raise Jackie as a single mother while seeking employment in London. Tragic and truthful, Esther Waters is the story of a woman who defies Victorian convention and suffers for nothing more than being born into poverty. With a beautifully designed cover and professionally typeset manuscript, this edition of George Moore's Esther Waters is a classic of Irish literature reimagined for modern readers.

Confessions of a Young Man (1888) is a memoir by George Moore. Originally written in French, it is a record of his life in Paris as a young man with money and dreams to spare. Controversial for its depictions of bohemianism and pointed critique of Victorian morality, Confessions of a Young Man has been recognized as an invaluable portrait of nineteenth century Paris and the geniuses who struggled to reshape art in their image. Degas. Renoir. Monet. Zola. Their names are now immortal, instant reminders of their influence on the visual and literary arts. In the 1870s, however, and throughout their lifetimes, they were artists struggling to hone their craft and gain recognition for their work. Into their world came the young George Moore, an Irishman who thought he was a painter and would eventually make his own name as a pioneering modernist writer. In Confessions of a Young Man, he offers his experience and impressions of bohemian life in Paris, a place where the temptations of flesh, drugs, and alcohol led many a young artist astray. In this murky world, he will draw inspiration for his groundbreaking stories and novels in the realist style. With a beautifully designed cover and professionally typeset manuscript, this edition of George Moore's Confessions of a Young Man is a classic of Irish literature reimagined for modern readers.

A Modern Lover (1883) is a novel by George Moore. His debut novel marked a turning point in Moore's early career, characterized to that point by poorly written French poetry and a failed attempt at becoming a painter. Although less acclaimed than such novels as Esther Waters (1894), A Modern Lover is credited with being the first English novel to employ the experimental methods of Moore's French contemporaries. Like much of Moore's work, A Modern Lover shows the influence of French naturalist writer Emile Zola, who sought to portray the influence of heredity and social environment on the lives of his characters without shying away from poverty, sex, disease, and suffering. Lewis Seymour is a young artist who moves to London in search of fame and achievement. Although he shows promise, he quickly falls into a pattern of social climbing rather than focusing on honing his craft. As he uses one wealthy, well-connected woman after the next in a tireless journey upward, he begins to lose sight of his artistic dreams. Eventually, he settles on three women whose affection and support allow him to make a name for himself-Gwinnie, a shopgirl; Mrs. Bethan, a middle-class divorcee; and Lady Helen, a powerful aristocrat. A Modern Lover is a story of sexuality and ambition from a pioneering figure in the formation of the modern English novel. With a beautifully designed cover and professionally typeset manuscript, this edition of George Moore's A Modern Lover is a classic of Irish literature reimagined for modern readers.

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